Thursday, January 29, 2009

Relativity

I've been working on some mini-memoir pieces. This is the first of many more to come. 

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A man in the corner writes on yellowed pages, reminding me that I slipped my favorite book into my bag before I left the hotel this morning. The tattered pages are printed with words I have already met. A tired scent rises from the binding, reintroducing me to The House on Mango Street. I leaf through, not needing to read the story I already know. I had forgotten that I underlined my favorite passages in red:

My mother says when I get older my dusty hair will settle and my blouse will learn to stay clean, but I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain.

These pages always seem to say exactly what I need to hear, making sense of what I cannot. I read, trying to recall how I felt about this book the first time I read it. What did my previous-self find in these words? Surrounded by foreign vowels, I realize that French may be the only language I hear today. But it is okay, really, because I am all right with not understanding—sometimes it’s easier than the clutter of a native tongue.  

A mother and daughter sit down at a table nearby, reminding me of my family back at the hotel. Three generations of women in a city generations older than we can trace the branches of our own family tree. I think of them asleep, eyes like mine that have cried salty tears. Mouths like mine inhaling the damp air.

I woke up early this morning, anticipating another day to call Paris my own. The cold rain and dark clouds of early morning reminded me of old acquaintances greeting the tourists’ Eiffel Tower and the natives’ Île Saint-Louis. Pigeons melted into the shadows of dark alleys as I walked alone through the narrow streets near my hotel. Following sidewalks lined by empty cars with unfamiliar makes and models, I couldn’t help but feel more at home in Paris, a city with which I had barely spoken, than in my sky-colored room in my house on the corner.

Now I sit in a quiet café, giving my face a break from the cold and my umbrella a break from the rain. As I sip my coffee, memories from high school French class find a familiar face in the conversations lingering in the air. Old friends at a table near me talk quietly about an old house. I wonder why the aged floorboards and clouded windows shape their malleable words with such somber. Who did they love there? Who did they lose there?

This lonely day in Paris makes me unsure of the home that I miss and the family that I crave. I’m not sure what to long for and it’s strange. But I think that I am going to be all right because maybe for now, not knowing what to miss is just a little less painful that missing something real.

Cultural stereotypes prove themselves on the street outside. Framed in the window, elegant men and women cloaked in black grace the humble sidewalks. Lines of schoolgirls in red berets pass, holding hands and holding up traffic. Shopkeepers open shutters, revealing shelves lined with exotic fruits and labels that I cannot read. Although the day has barely started, the glint in each passing pair of eyes makes me feel as if Parisians know something about living life that I do not. As my sister, mother and grandmother sleep in our small hotel room, I am an observer.

Slowly swirling white milk into black coffee, my teaspoon is startled by a conversation whisked in from outdoors. Clashing with the elegant breeze of European perfume, I instantly recognize the voices as American. How obnoxious their tourist cameras and ponchos seem. I can only hope that I don’t sound as they do – violent vowels, unsightly consonants. I run marathons through the vocabulary stored in my memory, finding French verb tenses that can answer their butchered guidebook questions in hopes that just maybe they won’t find out that I am one of them. I want to trick them. I want to make them wonder what it is that makes me so unlike them. I want to convince them that I am exactly who I wish to be—that in this place, this Paris, I am finally happy.

My mother tells everyone that when she looks at baby pictures of my sister and me, she has to look at the names on the back to tell us apart. “Two blonde, blue-eyed babies,” she says, plaguing me with unoriginality. Today I am thankful for Paris, because no one knows that there is a sister who looks just like me asleep under an itchy hotel blanket, or a mother who has been left alone in a quiet house like I have, or a grandmother whose personality changes with the seasons, just as mine does. Today I can be myself, or, perhaps even better, someone else entirely, without the burden of a story to tell.

The old cash register and insistent milk steamer harmonize, and the Americans, despite their broken French and bright colors, take their café au laits and baguettes and leave smiling. They are glowing, and I am both envious and terrified as I realize that a change of place isn’t going to make me happy; a new language isn’t going to sing me content. I am stuck. My breaths shorten with the fear that I am stranded in a life I am not sure I’m living.

I doubt sleep will come easily tonight. Rather, I’ll sit at the window and watch the Parisian dreams that no one else sees play out under the sallow glow of the streetlights. I will wait for each moonlight wanderer, hoping that one will look up from the street with eyes that will promise me that we are the lucky ones; we are the listeners and the secret keepers. We are the unattached, and we are not nearly as alone as we have convinced ourselves.

Above the quiet fall of rain, church bells singing ten a.m. remind me of time. I leave money on the table for my coffee. Before seeping back into the reassuring grey of the street, I take one last look at my book, as it speaks gracefully of things for which I cannot find words:

She looked out her window her whole life, the way so many women sit their sadness on an elbow. I wonder if she made the best with what she got or was she sorry because she couldn’t be all the things she wanted to be. I have inherited her name, but I don’t want to inherit her place by the window

Wednesday, January 28, 2009

Monday, January 26, 2009

"Sometimes" My Bloody Valentine

When the city looks like this:

I love music like this

Sunday, January 25, 2009

Waiting for the 1 Bus

Yesterday while waiting for the 1 Bus on Mass Ave, I turned around quickly when something behind me made a loud crash. Finding that the noisy commotion was nothing more than the quick closing of a store front gate, I turned back to the street. Despite the cold in my eyes, I was halted by a small, white address label stuck to the bus stop shelter. 

The label looked like one of these

On it, in small, plain, left justified font, it said:

The first time someone shows you who they are, 
believe them. 

And I'm not entirely sure what that means.

I mean, obviously, I know what the words mean, but I think here, the meaning is buried entirely in what the writer meant. Which now that I'm thinking about it, might always be the case. 

Either way, I know it's important. And it changed my day yesterday. And it changed my day today. And tomorrow starts in 36 minutes, so it might change my tomorrow too. 

Thursday, January 15, 2009

Some Thoughts on the Societal Function of Art

During the Medieval period in Europe, art served almost exclusively as a functional force in something other than art -- most frequently religious ritual. With the coming of the Renaissance, societal interaction with art moved from functional appreciation to aesthetic and intellectual appreciation. 

So we must ask ourselves..

With the ever increasing role of graphic design in new media, where does this relatively new kind of art sit on the scale of function and aesthetics? How can we define digital art's role in our society? Where do we draw the line between form and function?

I need to explore this more. Stay tuned. 

Sunday, January 11, 2009

Failing Markets & Falling Hemlines

The intersection of fashion and economy is not an unfamiliar one - even the most die hard fashionistas must scale their shopping habits to ensure they have a roof under which to keep their favorite shift dresses and stilettos. Carrie Bradshaw wasn't immune to her Manolo-induced financial crisis when dealing with a recently co-oped apartment, and neither are we. As supply and demand would have it, retailers must follow suit -- even if it's tailored perfectly. The 'affordable' off shoot branding of high-end designers is by no means a recent addition to the fashion world, but its visibility is ever-increasing as the economy breeds the need for more affordable fashion. (Read: Marc for Marc Jacobs; Moschino Chap & Chic; "Designed By..." collections and H&M and Target, etc.)

With the onset of the American economic crisis, it's only logical that spending on fashion and luxuxy will slow as the cost necessities increases and jobs dwindle. (Unless of course you're an automotive CEO...) Conservative spending will rule from the top down.

What's less obvious is the change in fashion itself. Will conservative spending mean conservative dressing? As our wallets shy coyly to the bottom of our handbags, will we fall coy beneath more conservative, serious trends? Will failing markets mean falling hemlines?

It seems the answer is yes. Bill Cunningham of the NYT explains with a collection of photos, here.

Thursday, January 8, 2009

Strings and Sealing Wax and Other Fancy Stuff

Last weekend when I was home for winter break, some friends and I found ourselves curled up in my living room with freshly emptied wine glasses and months and months of life to listen to. We tangled through the messes of friendships, relationships, all those ships, and stumbled upon parts of ourselves that had been lying dormant. I could write for days and days about my beautiful, brilliant friends, but their stories are not mine to tell. 

Somewhere between old jokes and new adventures, we found ourselves stuck on a single armchair anomaly: The Internet. The realization of the absolutely indefinite wealth of information weighed heavy on our shoulders. Where were we to find ourselves amidst pages and pages and pages of words and words and words? How could we possibly hope to leave a mark in this world within our own? 

Although it's scary, we must. Because there is something enticing about the unexpected pairing of anonymity and exposure in this online world of ours. 

So here it is, my mark.